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Whiteman admits that since they haven't been to the UK for twenty-five years, they were wondering if people would know who they are, but no such fear. Steve Whiteman is his usual frenetic self, shaking and thrusting his hips, all hair and limbs, while the guitarists jump on crates at the front for impact, including a scorching solo from Ronnie Younkins during 'No Ring Around Rosie'. Conscious that they were best known in the UK for their classic albums, they do a lot of early material such as 'The Itch', 'Sex' and 'Midnite Dynamite' which are faithful to the records. Kix, however, deliver in spades! Apparently, they play for seventy minutes, but it seems much less and is testament to the enjoyable whirlwind they are. It's not that the versions he does of classic covers are bad, it's just not what people wanted to see from him. He appears slightly reluctant to do 'St Elmo's Fire' (it is unclear why), and while things recover a bit, there was a lot of complaining from the audience afterwards. As cover after cover happens, the energy dips irretrievably.
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However, it's not long before there's a long passage of Fleetwood Mac and Beatles covers that leaves the crowd (gagging for a rare chance to see his own work live) frankly unimpressed. so any offers?" There's an energetic and passionate performance of 'Under A Raging Moon' that sees him punching his fist in the air. Rewarded by a great version of 'Naughty Naughty' and popular 'The Best', and then with the riffs of 'Restless Heart' and 'Time', things seem to be back on track and he treats the crowd to a bit of cheeky banter – "I feel like a 20 year old. It was a surprise when he started with 'Highway Star' but the crowd go with it. Lord knows why John Parr thought it would be a good idea to do a set with so many covers. Brian Le Blanc quips that the interlude was the best part of the night and it certainly made it a memorable show! Soon as Lindstrand is back, they get return to the business of rocking.
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They're a class act, delivering lyrical bluesy guitar and fast shredding solos, and all is going well until guitarist Philip Lindstrand breaks a guitar string, but bassist and other Le Blanc brother Brian takes charge and they deliver a couple of pared down covers of 'I'm Your Captain' and 'Georgy Porgy' as a kind of funky fill in – with great harmonies it all reminds a little of Hall and Oates. One really touching part of the performance is that he is almost in tears to get such a great reception, commenting that this kind of music "doesn't exist" in the USA anymore. Robbie Le Blanc's clear, bright voice is a joy to hear. Next up we took a definite step towards AOR with Blanc Faces. With great songs accessible to first hearing like 'Whisky Lover', they go down well. He has a fine voice and can reach high notes effortlessly and even reminds me at times a little of Dave Meniketti in tone.
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Balfour, in fact, has an easy-going charm, is comfortable with his audience and he has a full-bodied voice with a bit of a Queensrÿche Tate era scream thrown in. While in appearance they have a somewhat heavier image than this festival usually goes for (singer David Balfour has a Mohawk and reminds me of a latter-day Geoff Tate), they are enjoyable and melodic, and ultimately are an entertaining opener that fit right in. Kicking off proceedings were Northern Ireland's Maverick. Rockingham 2017 - Trent University, Nottingham (UK) - 20-22 October 2017